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Kajillionaire is a movie starring Evan Rachel Wood, Gina Rodriguez, and Debra Winger. A woman's life is turned upside down when her criminal parents invite an outsider to join them on a major heist they're planning;
Creator: Miranda July;
release year: 2020;
Miranda July;
rating: 581 vote
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Kajillionaire amazon. Critics Consensus Whether you see Kajillionaire as refreshingly unique or simply bizarre will depend on your cinematic adventurousness -- and fans of writer-director Miranda July wouldn't have it any other way. 88% TOMATOMETER Total Count: 153 46% Audience Score Verified Ratings: 76 Kajillionaire Ratings & Reviews Explanation Other Movies Kajillionaire Videos Photos Movie Info Two con artists have spent 26 years training their only daughter to swindle, scam and steal at every turn. During a desperate and hastily conceived heist, they charm a stranger into joining them, only to have their entire world turned upside down. Rating: R (Some Sexual References|Language) Genre: drama, comedy Original Language: English Director: Producer: Writer: Release Date (Theaters): Sep 25, 2020 limited Box Office (Gross USA): $494. 0K Runtime: 1h 44m Production Co: Annapurna Pictures, Plan B Entertainment Aspect Ratio: Scope (2. 35:1) Cast & Crew News & Interviews for Kajillionaire Critic Reviews for Kajillionaire Audience Reviews for Kajillionaire Kajillionaire Quotes Movie & TV guides.
No upcoming screenings. Available No Tickets Available [[ artDate | amDateFormat: "dddd, MMMM Do"]] [[ artDate | amDateFormat: "h:mm A"]] [[]] You may not purchase more tickets at this time. About Con artists Theresa and Robert have spent 26 years training their only daughter, Old Dolio (Evan Rachel Wood), to swindle, scam, and steal at every opportunity. During a desperate, hastily conceived heist, they charm a kind stranger, Melanie (Gina Rodriguez), into joining their next scheme, completely shaking up Old Dolio’s routine. Her unlikely connection with Melanie begins to challenge Old Dolio’s odd and stoic reality—and she finds herself suddenly caught between the only family she has ever known and the prospect of total freedom. Writer/director Miranda July ( You and Me and Everyone We Know, U. S. Dramatic Special Jury Prize for Originality of Vision; The Future) returns to the Sundance Film Festival with this absurd comedy bursting with uncanny sweetness and lyrical charm. Evan Rachel Wood and Gina Rodriguez’s chemistry is undeniable as they hatch a plan to free Old Dolio from her deceptive parents’ control. July’s playful portrait of self-discovery unfolds the profound and beautiful experience of true connection. YEAR 2019 CATEGORY Premieres COUNTRY U. A. RUN TIME 106 min COMPANY Annapurna Pictures Credits Director Miranda July Screenwriter Produced by Dede Gardner Jeremy Kleiner Youree Henley Cinematography Sebastian Winterø Production Designer Sam Lisenco Music By Emile Mosseri Costume Designer Jennifer Johnson Editor Jennifer Vecchiarello Casting Director Mark Bennett Executive Producers Brad Pitt Megan Ellison Jillian Longnecker actor Evan Rachel Wood Gina Rodriguez Richard Jenkins Debra Winger Artist Bio Miranda July is a filmmaker, writer, and artist. Her films include The Future and Me and You and Everyone We Know —winner of the Cannes Film Festival Camera d’Or and a Sundance Film Festival Special Jury Prize. Her books include No One Belongs Here More Than You —winner of the Frank O'Connor International Short Story Award—and The First Bad Man. Her artwork includes a sculpture garden for the Venice Biennale and an interfaith charity shop.
Kajillionaire (2020) online sa prevodom. Kajillionaire imdb. Kajillionaire movie trailer 2016. Kajillionaire torrent. Kajillionaire movie times. Kajillionaire 123movies. Kajillionaire lgbt. 1 win & 2 nominations. See more awards » Learn more More Like This Drama | Romance 1 2 3 4 5 6 7 8 9 10 6. 7 / 10 X Life for an entrepreneur and his American family begins to take a twisted turn after moving into an English country manor. Director: Sean Durkin Stars: Jude Law, Carrie Coon, Oona Roche Comedy 5. 8 / 10 Stanley's last shift at his fast food job takes an unexpected turn. Andrew Cohn Richard Jenkins, Shane Paul McGhie, Ed O'Neill 7. 7 / 10 A Korean family moves to Arkansas to start a farm in the 1980s. Lee Isaac Chung Steven Yeun, Yeri Han, Yuh-Jung Youn 6. 6 / 10 After a break-up, a young woman decides to start a gallery where people can leave trinkets from past relationships. Natalie Krinsky Geraldine Viswanathan, Dacre Montgomery, Utkarsh Ambudkar 7. 4 / 10 The world of Zeytin, a stray dog living life on the streets of Istanbul. 8. 1 / 10 Follows a woman in her sixties who, after losing everything in the Great Recession, embarks on a journey through the American West, living as a van-dwelling modern-day nomad. Chloé Zhao Frances McDormand, Gay DeForest, Patricia Grier Diagnosed with a mental illness halfway through his senior year of high school, a witty, introspective teen struggles to keep it a secret while falling in love with a brilliant classmate who inspires him to not be defined by his condition. Thor Freudenthal AnnaSophia Robb, Walton Goggins, Andy Garcia 5. 7 / 10 A stripper named Zola embarks on a wild road trip to Florida. Janicza Bravo Taylour Paige, Riley Keough, Colman Domingo Thriller 6. 8 / 10 Two actresses, Béatrice Dalle and Charlotte Gainsbourg, are on a film set telling stories about witches - but that's not all. 'Lux Æterna' is also an essay on cinema, the love of film, and on-set hysterics. Gaspar Noé Charlotte Gainsbourg, Béatrice Dalle, Mica Argañaraz Horror Sci-Fi 6. 4 / 10 Possessor follows an agent who works for a secretive organization that uses brain-implant technology to inhabit other people's bodies - ultimately driving them to commit assassinations for high-paying clients. Brandon Cronenberg Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh Fantasy 6. 2 / 10 When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves. Miranda July Miranda July, Hamish Linklater, David Warshofsky Documentary 7. 5 / 10 Anaïs and Emma have been best friends since childhood. It's a friendship is filmed over the years, during a period when their physical, emotional and intellectual development is dramatic. Sébastien Lifshitz Anaïs, Emma Edit Storyline A woman's life is turned upside down when her criminal parents invite an outsider to join them on a major heist they're planning. Plot Summary Add Synopsis Taglines: Know your worth. Did You Know? Trivia Miranda July's first feature in which she doesn't act. See more » Goofs During the first earthquake in the street, a fishing wire used to shake objects is visible outside the convenience store. See more » Quotes Theresa: [ to Old Dolio] When a man gives you wood, anything made of wood, he's saying, "You give me wood. " See more » Connections References Ocean's Eleven (2001) Soundtracks Melusine Written and Performed by Summer Mastous Courtesy of Datachoir Sounds See more » Frequently Asked Questions See more » Details Release Date: 25 September 2020 (USA) Also Known As: Kajillionaire Box Office Opening Weekend USA: $215, 675, 27 September 2020 Cumulative Worldwide Gross: $453, 705 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».
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Kajillionaire word. Kajillionaire movie imdb. Kajillionaire review guardian. Kajillionaire filmow. Kajillionaire guardian review. Kajillionaire movie cast. Watch online at ultra fast data transfer rate. cam Kajillionaire On the page, OnLinE watch Kajillionaire`LIVE`ONLINE: WILL`MEERA`SAVE`HDAN. Baby boomers came of age loving films about embracing individuality and escaping their parents' authoritarian moralism, many of them beautiful — "One Flew Over the Cuckoo's Nest, " "A Clockwork Orange, " "Easy Rider. " Now that boomers have remade the world in their own image, a younger generation is making movies about what that world looks like — it isn't pretty — and how to live in it and maybe survive it. Miranda July's "Kajillionaire" is one of them — and a lot of other things. A "kajillion" isn't a real number, so it makes sense that most of what the movie's middle-age con artists, Robert (Richard Jenkins) and Theresa (Debra Winger), along with their daughter, Old Dolio (Evan Rachel Wood), steal isn't real money. Between a swindled gift certificate here, a little mail fraud there and a lot of funny business with big-box store return departments, the trio manage to eke out a dishonest living and pay for what we'll charitably call a home in an industrial building in Los Angeles, where the rent is very inexpensive because of the flood of pink bubbles that descends from the ceiling regularly — sometimes more than once a day — and must be hauled away in buckets. Want more articles like this? Follow THINK on Instagram to get updates on the week's most important cultural analysis The joke-y hook is that Robert and Theresa believe they're the kind of rakish, amoral tricksters you might find in a movie about a casino heist or a bank robbery; Jenkins in particular does a beautiful job of playing a guy who is absolutely convinced he's a George Clooney hero. But we can see that they're merely selfish, amusingly deluded crooks whose greed becomes less charming the more we see of their daughter, a woman who has been utterly smashed by their indifference. So it is a heist film — and an absolutely savage one — but less about receipt fraud and more about how, in their declining years, the Me Generation simply won't go away without taking everything they can carry with them. At one point, Robert and Theresa take Old Dolio and Melanie, played by Gina Rodriguez, out to a fancy dinner and recall their years of doing things other than stealing from people. "Of course, then the culture changed, " says Robert, by way of explaining how they fell so far. "Maybe it'll change back! " Theresa says hopefully. Of course, it won't change back; culture is a product of the people in it. And Theresa and Robert won't change. But "Kajillionaire" is also an essential L. A. movie, its sunny despair unmistakable, and it's about a sweet and tentative romance between Old Dolio and Melanie, who is as glamorous as Wood is deliberately frumpy. Wood, incidentally, is a revelation here. Hidden inside her baggy trackwear and her father's shirts, she exudes a sense that, at any moment, she might burst into song or tears or just fly at her parents in a rage. (When July gives Wood a few precious moments to play that release, it's breathtaking to see. ) Rodriguez, on the other hand, has a hard job here, and an interesting one. She's our barometer for what normal ought to be, whereas Jenkins and Winger, the avaricious old hippies, are there to remind us of what normal is, which is a depressing sight, to say the least. (I'd like to say this is unfair, but you'd have to catch me in an especially good mood and several hours out from any news consumption to hear it from me. ) There are already quite a few treacly movies and books about the millennial tendency to create family out of trustworthy friends and romantic partners. "Kajillionaire" spends more time than most of them demonstrating why it is necessary for so many people to do this, and it wraps into it the profound need to escape boomer materialism — even if we do so with nothing but the clothes on our backs. Sam Thielman Sam Thielman is a reporter and critic based in New York. He is the creator, with film critic Alissa Wilkinson, of Young Adult Movie Ministry, a podcast about Christianity and movies, and his writing has been featured in The Columbia Journalism Review, The Guardian, Talking Points Memo and Variety. In 2017 he was political consultant for Comedy Central's "The President Show. ".
Kajillionaire blu ray. Spoiler warning: The following story discusses the ending of the film “Kajillionaire, ” now available on PVOD. If you haven’t yet seen the film, come back once you have. And in the meantime, check out this review and this story on the creation of Evan Rachel Wood’s character, Old Dolio. Two women stand at the checkout counter of a big-box store, making a number of returns. As one of them hands over one last item, a necklace she is wearing, the register turns over to $525. 00. The moment swells as the two women entwine for their first romantic kiss. When Miranda July’s “Kajillionaire” premiered earlier this year at the Sundance Film Festival, there was a palpable shift in the room as audiences veered from enjoying an affable, offbeat comedy about a family of low-stakes con artists to being swept up by a sincere, vulnerable romance. Hearts burst with joy and eyes filled with tears. One would be hard-pressed to recall the last time a cash register signaled such an emotional turn. Currently playing in theaters where they are open, “Kajillionaire” is now also available as a PVOD rental. The film opens with the exploits of the Dyne family, parents Theresa and Robert (Debra Winger and Richard Jenkins) and their daughter Old Dolio (Evan Rachel Wood), stealing packages from a post office. While pulling off a scam involving a fake lost-luggage claim against an airline, the three of them meet the buoyant, buzzy Melanie (Gina Rodriguez), who is intrigued by their unusual lifestyle. Melanie and Old Dolio grow closer, as Old Dolio slowly begins to understand all of the ways her parents have raised her for their very specific life outside conventional society while also withholding affection and intimacy. Richard Jenkins, left, and Debra Winger play the parents of Evan Rachel Wood in “Kajillionaire. ” (Matt Kennedy / Focus Features) Eventually Old Dolio begins to pull away from her parents and seems to be heading toward a relationship with Melanie. Robert and Theresa invite Old Dolio and Melanie to dinner, giving Old Dolio gifts they had never given her through the years. But later the parents also rob Melanie’s apartment, leaving only their gifts for Old Dolio. When she returns everything they gave her, it comes to the total of $525, Old Dolio’s share of the $1, 575 from the luggage scam. With a kiss with Melanie, her new life begins. In a sense there is a secret movie nestled inside the movie in “Kajillionaire, ” as the comedy about a family of grifters transforms into a romantic story of self-discovery. “I feel it’s sort of two romances parallel, one with her parents, this kind of really bittersweet breakup, parallel with the romance of the two women, ” said July. “And that’s true to the end, that they are really tied together through to 525. In seeing that, [Old Dolio] is kind of released into the world. “Why did I do that? I love a romance, ” July said. “I’ll pretty much read or watch anything that has the motor of a romance in it, but you can get a lot of other stuff in there, that even I might not want to write about or think about, that is kind of difficult or icky — the family stuff. But the romance, and I don’t just mean it’s like a sugar coating, it really opened my heart. There’s a vulnerability and I so wanted that. ” I love a romance. Miranda July on her film ‘Kajillionaire’ For Wood, the importance of that shift into romance was apparent from the first time she read the script. “It felt that we were filming two different movies almost, ” Wood said. “There’s the movie with me and Richard and Debra, and in Miranda’s treatment it was very clear that you were going to feel that sense of isolation and this uneasy feeling around her parents, it was going to feel slightly suffocating. And then when it transitioned into this other world, the whole movie changes, ’cause that’s when Old Dolio is alive. ” For Robert and Theresa, including Old Dolio in their scams is, as July put it, their “love language. ” So they express their affection for their daughter by putting her through one more scheme, and give her gifts that they know she will return for her share of the money. When they finally express affection toward Old Dolio at their dinner, saying nice things to her, it’s left vague as to whether they really mean it or if it’s just another ploy. “It’s funny, me and Richard discussed that a lot. He has to give this big speech, and I felt like both things could be true, ” said July. “I’ve had experience with that kind of narcissist where it’s all true in the moment and you’re both moved to tears. It’s just not going to change anything. I’m sort of curious in this movie about what is real, when they pretend to be a family. I don’t know, it’s confusing even to me. Gina Rodriguez, left, and Evan Rachel Wood in “Kajillionaire. ” (Matt Kennedy / Focus Features) “And I guess as an artist, as a believer in artists, I think things that are not real can make real things happen — like movies can create real change, ” said July. “And so that is true in this movie — things don’t have to be 100% true to be real or to create transformation. ” Wood added of Old Dolio’s interactions with her parents, “It can be very confusing because they’re incredibly gifted at seeming sincere. And sometimes they have convinced themselves that what they’re doing is loving. So it might come across that way. And usually they know what to say to manipulate you. So I don’t know if it’s as cut-and-dry as if they mean it or not. I think what they’ve done and how they’ve raised her in their mind was an act of love, and turned out to be incredibly abusive. ” July wrote the screenplay to “Kajillionaire” after working on her debut novel, “The First Bad Man. ” She said she came away from that experience enjoying the twists and turns of plot mechanics more than she had while writing her previous screenplays for “Me and You and Everyone We Know” and “The Future. ” But she also became keenly aware while writing “Kajillionaire” just how tricky the shift in tone throughout the movie was going to be, building and building to that final moment at the cash register. Past a certain point of this movie, it all has to work to all build up to that final shot. Miranda July on finding the structure of “Kajillionaire” “When I was writing it, I was like, ‘This better work, ’ because this is not like other movies where you could keep changing stuff around in any number of ways. Past a certain point of this movie, it all has to work to all build up to that final shot. I remember watching the [rough-cut] assembly, which is always just such a disaster, and wanting to go jump out a window, but realizing that the ending works. So that was the only thing that I knew. “I couldn’t fix it if that didn’t work. And even in the roughest stage, I was like, ‘OK, so we’re working toward that. ’” Having premiered in January and originally scheduled for a summer release, “Kajillionaire” was obviously not made with the pandemic in mind, but there is something of-the-moment about a story in which a person starved for intimacy and affection finally finds some. “I think Old Dolio has tried her whole life to be invisible to the world, ” said Wood, ”but trying so hard to get approval from her parents, love has never been unconditional. It’s been very much based off of performance. So to finally have her greatest hope, and worst fear, realized — ‘Oh, I’m being seen, ’ and not only am I being seen, I’m being loved — it’s just so powerful. Especially in this time now when we’re all isolated and devoid of touch and connection and these things, we’re all kind of versions of Old Dolio. ”.
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